Rules Of The Game

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ROG_Family

Enforced Arch founder, James Koroni has been invited by Jonah Bokaer, media artist and choreographer to participate in Rules Of The Game. This past month Koroni traveled to Dallas, TX and had the pleasure of dancing with some of the most talented dancers from around the world: Sara Procopio, James McGinn, Elisabetta Rollo, Szabi Pataki, Laura Gutierrez, Callie Lyons & Albert Drake. Here’s is the formal announcement from the Dallas Symphony Orchestra:

RULES OF THE GAME

JONAH BOKAER X DANIEL ARSHAM

A NEW CHOREOGRAPHY BY JONAH BOKAER WITH SCENOGRAPHY BY DANIEL ARSHAM AND ORIGINAL MUSIC BY PHARRELL WILLIAMS

Collaborators

WORLD PREMIERE AT THE NANCY A. NASHER AND DAVID HAEMISSEGER FAMILY

SOLUNA INTERNATIONAL MUSIC & ARTS FESTIVAL ON MAY 17, 2016 IN DALLAS, TX

At Chez Bushwick’s annual gala honoring Daniel Arsham, Rules Of The Game, a new collaborative, performance project was announced. The piece is a partnership between choreographer Jonah Bokaer and his dancers, visual artist Daniel Arsham, and an original score by Pharrell Williamsperformed by the Dallas Symphony Orchestra. Rules Of The Game will have its world premiere in Dallas on May 17, 2016, at the Winspear Opera House as part of SOLUNA International Music & Arts Festival. Rules Of The Game will be the first collaboration between Arsham, Bokaer and Williams, collectively.

Rules Of The Game, a multidisciplinary work for eight dancers, is currently being developed. The music by Williams represents his first composition for live dance and theater. The Dallas Symphony Orchestra will provide the live accompaniment at the premiere.

“This collaboration is something that we have worked on for a long time,” said Anna-Sophia van Zweden, Director of Festival Advancement for SOLUNA. “We wanted to bring Daniel and Jonah to SOLUNA, and in our conversations, this project emerged. We are thrilled to present the world premiere performance of this work and to have the Dallas Symphony Orchestra perform original orchestral music by Pharrell.”

“I am excited to be working again with Jonah and Pharrell,” said Arsham. “We are currently in production, developing the concepts for the score and scenography, so it will be interesting to see how the piece changes shape over the coming months and to see its premiere at SOLUNA.”

Arsham has been designing and building sets since 2007, when he was commissioned by legendary choreographer Merce Cunningham to create the stage design for his work eyeSpace. His collaborations with Bokaer, who he met through Cunningham’s company, began in 2007, and over the past eight years, the duo have created a unique scenic language exploring themes of spatial reorientation and the perceived passage of time. Arsham and Williams have collaborated, beginning in 2013, when he cast Williams’ Casio MT500 keyboard, a formative part of his musical development, in volcanic ash, crystal and steel. The following year, Arsham cast Williams’ entire body for GIRL, Williams’ curatorial debut at Galerie Perrotin. The gallery represents Arsham, and has collaborated in the past with both Williams and Bokaer.

More information to follow. Tickets for the performance will be available later this year.

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James Koroni

About James Koroni

Author, James Koroni studied dance at ‘The Edge‘ in Los Angeles, ‘Broadway Dance Center‘ in New York City and Santa Monica College in Los Angeles. A few of his credits include choreographing and dancing for Princess Superstar in Paris, France, dancing for Madonna at MACY’s in Herald Square, performing in ‘Rhapsody’s Sirens after Dark‘ at the BLVD on Bowery, participated in the production of Bagabones at The Fringe Festival in New York City and teaching at Cynthia King Dance Studio in Brooklyn NYC. His Internships and Administrative credits include ‘Broadway Dance Center’ under the International Student Visa Program with Director Bonnie Erickson and is currently employed at Cynthia King Dance Studio in Brooklyn, NYC as Cynthia King’s Executive Assistant. “So much of life carries the potential to shock and excite me and whether traditional or controversial, if it offers compassion I find a reason to appreciate its beauty.” - James Koroni
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