Toughies In Tutus

Is it impossible to find the word "Toughie" and "Tutu" in the same statement? We might have you fooled. That is the idea when it comes to ballet. If we master strength after years of hard work we can then apply grace and control that is seemingly effortless. In fact, don't  be surprised to find the "tough guy," football player in ballet, developing their control and building their center. Ballet requires power, stamina, and precision. Behind the grace there is a lot of commitment and tears of which these dancers truly earn the title: 'Toughies In Tutus.' I came across this article today and noticed yet another compassionate 'Mover' in Mumbai, Maharashtra India. The article reads:

Of the older girls, Ashrafi Ginwalla (20) teaches at the school and Annabelle Haydon Venkat (21) independently teaches little girls the basics of ballet. Venkat has been training with Dallas since age eight and takes the dance-form very seriously. She even sticks to "a no-wheat, no-dairy vegan diet that's designed by dietician Vijaya Venkat to boost energy levels." (source)

Don't forget our 'Essentials' page with cruelty free apparel for compassionate 'Movers.'

Glee-fully, Tonya Kay!

'Mover,' Tonya Kay has been a busy bee! She performed Sunday on Glee doing a big deal "never-before-seen-on-tv" fire whip crack and more. There were four fire dancers and they all have wigs on, so keep your eye on the girl cracking the fire whip (seen on left in the image shown) and then remember what she looked like during the rest of this huge production number! Yes, you read correctly: they wigged Tonya Kay! She said, "Productions have tried and failed countless times. But not Glee's hair department. The stylist wigging me, whom himself had dread locks (thank goodness!) said he wigged Whoopi, so I knew I was in good hands. Literally. He kissed my locks when he had piled them up - I knew this one understood."

You might remember her on Glee's famous Madonna episode last year with Stilt World. Of course, a performer never knows what happens in post-production after the filming, so I'm keeping my fingers crossed that Glee wanted to be the first in television history to show her stunt! A big deal that it's a woman doing it - and that woman is Tonya Kay!

To see more of this compassionate 'Mover,' visit: http://www.tonyakay.com/

Indonesian Interlude

Venyci Yefriadi uses the power of dance to create a safe community at IDAI, Interlude Dance Academy Indonesia. Indonesia is ranked as 4th most populated in the world, the biggest Muslim population, the largest archipelago country, with a mix of democratic & sultanate governments, a home to over 30 different cultures & traditions - this is not an easy project for her. Her powerful warmth and interest inspires a generation faced with unpredictable cultural change and forced adaptation. She offers her students obtainable goals within dance and an eclectic family that is open to their differences.

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Her mother comes from a traditional Javanese family. Her mothers friends would often come into her home and share dance, music, art & philosophy while playing the gamelan (a traditional Javanese instrument). While her father is Chinese and has a classic respect for Chinese New Year and religious ritual. Her parents are a perfect example of Indonesia's complex cultural diversity. They never quite felt at home so they relocated throughout Indonesia, from Malang to Jakarta and later Singapore before Venyci chose Allentown, PA for college. She resides now, by her words, in 'sunny sometimes foggy' San Francisco!

Adapting to a new world and a new culture was very hard for me, every time you must face feeling lonely again, search for new friends and a community to call your own. The fear of moving to a new world effected me in my personal relationships, both with partners & friends. With every new "home," in the back of my mind, I knew that I would  be leaving soon. I kept all my relationships on the surface to avoid inevitable pain. Now as an adult I can see that change was my friend, changing is like flipping my hand & waking up in the morning. I have a special button or self alarm to activate my courage. I flow into every space and fit into any container. -Venyci Yefriadi

Her dancers experience confusion within their culture, the country is split into extreme conservative tradition and open minded liberal thought - there really is nothing in between. They don't understand why the two extremes exist and this often leads to rebellion and getting involved in self destructive activities. After being relocated to another country there is even less to identify with or hold onto. After listening to their struggles and experiencing it first hand she has come to understand what they need from her; guidance. IDAI is an interlude for young minds to be free of confusion and find a stomping ground right here on American soil.

Check them out here: Interlude Dance Academy Indonesia

Bubbly Bettina

Luck be a lady tonight, Bettina May performed Downtown at Bubble Bar on West Broadway and White St.

This swanky bar had fashion illustrations from the nineties with beautiful woman swimming in enormous cocktails even an alcoholic couldn't down. Management and service was phenomenal, their menu didn't have vegan options but as soon as our requests were in the waitress brought fresh strawberries and olives for us to enjoy.

The DJ then announced our Burlesque Goddess Bettina May. She strolled out in a full length faux fur coat kicking and grinning to her hit song "Hey Hey Bettina May" written for her by Hank Angel and his Island Devils! What a blast.

I will return and I will ask for an encore next time!

Don't forget she is in the running for Viva Las Vegas! Click on the link and support this beautiful Bombshell!

Too Young

Tremendous injustice is occurring all over the world. The most innocent and fragile of living creatures have no voice. Children are making textiles, toys (which they will never play with) and matches, among many other items. We call this Child labor. Child Trafficking is another malicious form of modern slavery. Each day, more children are trafficked into prostitution, forced labor, child marriage and other slavery-like conditions. Each day sees the growth of skills and experience of traffickers and those who purchase trafficked persons. Isn't slavery illegal? I guess not.

In our society we seek the most "delicious" food and at what cost? Do we know at what level of cruelty the farmers reach for particular forms of meat or dairy? Male chicks are useless to egg farms so they are simply plucked up and loaded into a grinder or left in a dumpster to die.

Veal production is also a bi-product of the dairy industry. It's beyond me how this kind of medieval torture is still around? Pulled from their mother immediately after birth, fed an anemic diet in a wooden crate to small to lie down in and then killed after 18 or 20 weeks.

You may ask what can I do about this? Being informed should be your first bit of effort. There are so many resources online for you to peruse. Then avoid companies that use child labor, create artistic works that educate your audiences, avoid cruel farming practices and you'll make a world of difference. All we have is each other to rely upon. It isn't difficult to be compassionate. It's simply difficult to know these ethical issues exist and then not do anything about it!

It Gets Better

I met talented 'Mover,' Tracey Katof shortly after she had the opportunity to dance and choreograph for comedian, Rebecca Drysdale, on a music video called "It Gets Better." In a short interview with her, this is what she had to say:

Q. Why do you dance? A. Language barriers exist between communities worldwide. I choose dance as my form of communication and self expression because I feel speaking through movement is the natural global language. Even the most simple movements, such as a smile or a frown, can be understood regardless of where someone comes from or what language they speak.   I dance to promote efforts of human welfare and social reform.  If I can spark an emotion or idea in an audience member that leads to a positive change, then I have accomplished my goal.

Q. How does this influence your dancing? A. My dancing is driven by my devotion to a cause and a desire to express truth.  In addition, I hope that my body and movement can serve as a vessel for social change and awareness.  In a sense, I dance to be larger than myself.

Q. Tell me about your experiences with "It Gets Better." A. Working with Comedian Rebecca Drysdale was a fulfilling experience. She put forth an immeasurable amount of time and effort into creating her vision. I thought it was an innovative idea to produce a music video and use humor to get the message across and to reach a large audience.  Through the Internet and social media, the video has already been viewed 100,000 times in just 2 weeks!

Q. How has dancing for this social issue enriched your life as an artist? A. From choreographing for humanitarian causes, I have learned that no matter how foreign the topic is to me, I can always relate.  That is what I want for the audience as well.  I am not a part of the LGBT community, yet I have related to the pain caused by feeling different and being teased. The "It Gets Better" campaign is about accepting each other for who we are.  I support this project because I want to spread the message that even in the most disheartening situations, there is always hope.

Tracey was the first to tell me about "It Gets Better." After I watched it for the first time I thought, I wish this was around when I was 14 so I didn't have to watch "Undressed" on MTV to feel normal! I recall being afraid to simply think thoughts of homosexuality, for fear that I would be, "condemned to hell." Add any level of physical, mental or emotional abuse to that kind of existence and it would be very difficult to know what I know now, which is, IT'S SOOO MUCH BETTER! This campaign has become a worldwide movement and is helping troubled teens look to a brighter side. For this I thank Tracey for lending her talents in Rebecca Drysdale's video.

Tracey is committed to many social issues. I'd love to share them all with you now but I look forward to seeing how she plans to illustrate them herself! Keep up with Tracey Katof's moves here:

http://TraceyKatof.com

http://www.doyoubuzz.com/Tracey-Katof

"Don't Ask, Don't Tell"

Justin Leaf is shedding light on yet another form of discrimination, "Don't Ask Don't Tell," by transforming it into a riveting contemporary ballet performance. He takes a journey from his uniform of isolation to freedoms which life should certainly provide.

In her popular blog LEFTFACE, Brittney (The Army Wife) says of "Don't Ask Don't Tell," "But what about the con’s about repealing DADT? The biggest argument has been to not mess with the military — to do a “social experiment” — in the time of two wars. Isn’t that just an excuse, though? Aren’t we ALWAYS in some sort of conflict? The United States Army is essentially the police of the world, and we are always somewhere, doing something. So if not now, then when? Iraq is in the process of being phased out, and Afghanistan — well, we don’t really know when that is going to be over. There will never be a “good” time. So why not now?"  She is absolutely right. This kind of argument is simply trying to protect bigotry and keep homosexuality taboo, misunderstood and isolated.

While some of us may feel strongly opposed to war and military, if we want to have equality we need to address it across the board and not just in places where we feel comfortable. It may be hard to relate to people serving in the military but as a gay man I recall how frightened I was to simply come out in my High School environment for fear that I would be bullied, exiled from my friends and ridiculed by my religious upbringing. So I waited until I lived in San Francisco for over a year and built a community that embraced my personality. This only has made me a better member of society. I am less confused, more informed and confident in what choices are my own. What I have shared with my family is this statement, "Do you think I chose this? A life where my body chemistry is opposed to my family's beliefs, friends' beliefs, and half of the country's beliefs. Who wants to be discharged for being honest! NO, I didn't choose this and I certainly didn't want to live in fear that I would be." I am proud to be a gay man and have no interest in forcing my sexuality on anyone else but until you allow us the right to honesty I will continue to fight. That is the problem here. We don't want to be dishonest, we have tried to change our sexuality, we have had doctors tell you that it isn't a disease, we have proof that it doesn't affect our work ethic, so what do you want? They want me to be dishonest so they can live a lie.

The most heart wrenching issue here is that these government laws are only set to protect bigotry. Might I remind you of other statements that have come in the past:

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"I don’t want to serve with women. I don’t want to serve with Muslims. I don’t want to serve with blacks. I don’t want to serve with hispanics. I don’t want to serve with Asians. I don’t want to serve with Native Americans. I don’t want to serve with Jews. I don’t want to serve with gays." (source)

There is no difference here.

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Justin is being honest and vulnerable in this performance about "Don't Ask, Don't Tell." In 2009 he was awarded a McKnight Fellowship for Dancers.  As part of the Fellowship program, the Southern Theater commissioned a choreographer of his choice to create a solo expressly for him as part of their SOLO Commissioning Program funded by the McKnight Foundation.  He chose to work with performance artist John Kelly.  The performance is entitled "Cohesion" and was premiered at the Southern Theater in July of 2010 as part of SOLO, which featured six McKnight fellows in new dances. Now catch his performance at FORM + CONTENT Gallery in February, curated by Camille J. Cage.

Justin says, "I prefer to tell a story with dance. It isn’t always a popular direction but by telling this story you offer someone an opportunity to feel something, digest it and develop an opinion."

Photos by Paul Virtucio

First Class Gal

Took a night on the town to Park Side at 317 Houston Street to see Bettina May in action. Her performances are sensational! Offering the crowd an experience that takes you away from the NYC stress and into the charming smiles of Lady Bettina May's sweet character.

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Bettina is sharing the secrets of Burlesque at Beauty Bar Sunday, Jan 16th!

It's a must!

Trials & Tribulations

ANJA KEISTER

Anja Keister is a compassionate 'Mover' to be on the look out for! Drawing from her background in performance art and stage productions, Anja Keister sets out to create original burlesque acts that explore the ideas of beauty, femininity, gender roles and the cult of pop culture. Combining spectacular theatricality with the bizarre, Anja thrives in the New York neo-burlesque scene, pushing audiences to question their own definitions of what is beautiful, what is sexy, and what makes them uncomfortable. Always a fan of the beauty of decay and deconstruction, Anja Keister hopes to change herself and the world with every garment she removes.

“Burlesque is known for its feathers and silk and neo-burlesque also incorporates a lot of the fetish world into the acts, so often there can be a lot of leather involved. Sticking to my ethical beliefs has been quite a challenge, but I feel it’s only made me more creative in my work. How does one have a feather boa or fan without feathers? I’ve had to do a lot of research and in fact I’ve documented and journal a lot of this work, frustration and discovery in my blog: The Trials and Tribulations of Becoming a Vegan Burlesque Performer.” -Anja Keister

Foh Real? Faux Feathers!

Where in the world is Bettina May? Well she's in New York City. Certainly wouldn't be the same without her. Her innovative performances are more than just fanfare. Every bit of her costuming, performance and smile are genuinely committed to ending cruelty. She showed up to teatime today in a FAKE full length fur coat with matching hat. When I asked her where she acquired her matching set, she said, "I sew, made it myself." Well that's impressive! Little did I know she envisions and creates all of her own costumes. Her resistance to the mainstream costuming industry is that traditional Burlesque dancers use feathers, leather, and fur in all their performances with little thought of who they took it from. You don't need these items to entertain, be creative, innovative and inspire others to not feed into unfortunate tradition. We must not get involved with indulgent lifestyles that breed thoughtless performance rather evolve along with the environment and return the respect. Very refreshing to meet such a unique 'Mover' in our industry!

Check out her home made "Feather" Headdress in a performance entitled,

'Don't Touch My Tomatoes!'

While one end of a feather is soft to the touch, tickle worthy and awe inspiring there is another end of this quill that isn't quite as lovely. Live plucking is of commonplace among feather producing farms. If you thought getting hair waxed off was painful, imagine living a lifestyle, against your will, where being "waxed" regularly for anothers kicks and giggles was all you understood.

Alternative choices are available!

Coquette Faux Furriers

Bettina May's Links

For more on Miss Bettina May check out her website, click on the link below!

What's On Tap?

Ray Hesselink, one of our Movers, is becoming a legend. This kind of responsibility comes with an understanding of the need to pass along secrets of success.

In fact he wrote an article in recent DanceSpirit Magazine, "Letter to My Teenage Self" which offers encouragement to the challenges we face when coming into our professional selves.

Hesselink is teaching "A Taste of Tap (An Adult Intro Class)." Learn how to tap from the VERY beginning. SIX WEEKS ONLY: At STEPS on Broadway every Sunday from 2:30-4:00pm starting January 16, 2011-February 20, 2011 at Steps on Broadway!

It's a new year, a new decade and well, it's time to start a new hobby! By the end of this decade you may become a tap dance professional too!

Wildchild Nation Inspiration

Luam Keflezgy is one of my most inspired mentors. Her style is confident, grounded, classic, smooth, edgy, and for her, all this is seemingly effortless. However she taught me effort and intention is everything!

She once said to me after a rigorous class, "It's where the movement comes from, that makes a statement." This has always rang true in my life as a dancer concerned with ecological and social issues. With her inspired statement I have been able to add quality to every movement I make, whether it be in class, choreography or with the clothing I wear!

Wildchild Nation offers a few alternatives to support my active and compassionate dance lifestyle! I even noticed a few eco-friendly materials such as Tencel! Hopefully she will expand upon these options in the future!

Check it out!

LUCKY for us there's a phenomenal clearance sale. Don't miss it!

MEN WOMEN

Leave a comment. Tell Enforced Arch how Luam Keflezgy has inspired you!